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Nicht die F​ü​lle / nicht Idylle / nicht der Berg - Vordergl​ä​rnisch. Bergportr​ä​t

by Claudio Landolt

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A: Aussen 19:44
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Order poetry book here: menschenversand.ch/produkt/nicht-die-fuelle-nicht-idylle-nicht-der-berg/

Oder more exclusive merch here: claudiofredoignaziolandolt.bandcamp.com/album/nicht-die-f-lle-nicht-idylle-nicht-der-berg-vordergl-rnisch-bergportr-t

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What does a mountain sound like?

To find answers to this question, Claudio Landolt ventured out to record over 100 hours of field recordings in and around the Vorderglärnisch, a mountain situated in the central Swiss Alps, and shaped these impressions into a new work.

In over 30 recording trips from March to October 2019, Landolt explored various sound spheres surrounding the Vorderglärnisch mountain range in Glarus, using diverse techniques from air-borne and structure-borne recordings, to making electromagnetic fields and seismic data audible.

This versatile approach led to a heterogeneous sound collection which was then transformed into a riveting sonic voyage from the outside realm to the inside of the mountain.

The extensive «recherche sonore» served Claudio Landolt as a starting point to write poems. The conceptual texts, which investigate the sound of this mountain on a linguistic level, are published in the book «Nicht die Fülle / nicht Idylle / nicht der Berg» (Der gesunde Menschenversand, April 2021). These poems together with the sound composition, are symbiotic complements to each other.

In fact, the intersection of sound and text is where we might grasp the cultural and sonic confluences within this colossal mountain in the most intense way possible. To get the full experience, headphones or a decent hifi-system are highly recommended.

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released April 16, 2021

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domizil Switzerland

domizil was founded in the context of the techno and experimental music scene of the 1990s, and traverses since then unheard sound universes. domizil is active at interfaces between electronic music, visual arts, ambient culture and environmental poetics. ... more

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